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The Midlife Second Wife ™

~ The Real and True Adventures of Remarriage at Life's Midpoint

The Midlife Second Wife ™

Category Archives: Transitions

12 Things to Tell My Son Before His Wedding Day

26 Thursday Sep 2013

Posted by themidlifesecondwife in Love, Relationships and Family Life, Transitions

≈ 8 Comments

Tags

Love, Marriage, Relationships, Wedding, Wisdom

Roger Mastroianni photo

Roger Mastroianni photo

Having an only child is the maternal equivalent of putting all your eggs in one basket, so to speak. Additional children give you the chance for a do-over or two; with only one, that’s exactly how many chances you get to get the whole parenting thing right. I look back on the trail I embarked upon 32 years ago, and I see it littered with the weeds and stones of my mistakes and missteps. Occasionally I’ll spot a bit of something shiny. I hope it’s a marker for a good decision made, or the right thing said at the right time. Yet, in spite of my occasional impatience and bursts of short-temper, the young man standing at the edge of this path—my son—is the brightest thing shining there. He’s a terrific person with a great good heart, and he’s at a crossroads. He’s getting married soon to a beautiful young woman with a great good heart of her own. I have just one chance to get this whole mother-of-the-groom thing right. Over the years, through trial-and-error, I’ve learned a thing or 11 about what it takes to make a relationship work. I’d like to share these bits of wisdom with him now—12 things he should know before his wedding day.

  1. Never take her—or anything—for granted. Be grateful every day for the life you have and the love you’ve found.
  2. Do something nice for her every day, and thank her for something at least once a day.
  3. Remember that marriage is not a competition except for this one thing: try to out-love one another.
  4. Embrace her neuroses. That is, should she have any.
  5. Respect her. Respect her. Respect her.
  6. Communicate with one another clearly, calmly, and constantly.
  7. Listen to what she has to say, and put yourself in her shoes while she’s saying it.
  8. Make time for each other.
  9. Be in the moment when you’re together. Concentrate on one another, not on your work or your smart phone.
  10. Hold hands every chance you get.
  11. Make love with one another as often as you can.
  12. Put the toilet seat down and pick up your clothes from the floor.

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(Older) Women in Love

13 Friday Sep 2013

Posted by themidlifesecondwife in Love, Midpoints, Remarriage, Transitions, What's the Buzz?

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Tags

boomers, Cindy Joseph, Love, Lynn Forbes, Remarriage, Tammy Bleck, WHOA Network

What do we talk about when we talk about love? I recently had the honor to participate, via Google Hangout, in a lively panel discussion on the WHOA! Network. I loved talking with these accomplished, thoughtful, and insanely fun women about what it really means to find love at 50-plus. We talked about the lessons of our past relationships. We talked about the exhilaration of discovering that one amazing person who is perfect for us—and our surprise in realizing that person happens not to possess some of the qualities and life experiences we’ve toted around on our preconceived checklist of “must-haves.” We talked about the courage it takes to make a commitment, to upend our lives in order to start a new one with THE ONE.

Lynn Forbes, a co-founder of WHOA!, moderated our chat, which features model and entrepreneur Cindy Joseph and writer Tammy Bleck. You can view the short clip above to eavesdrop on what we had to say, but you can also watch the full conversation right here:

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Here Because He Wasn’t There: 12 Years After 9/11

11 Wednesday Sep 2013

Posted by themidlifesecondwife in Love, Remarriage, Transitions

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Tags

New York City, North Tower, September 11 2001, September 11 attacks, Terrorism, World Trade Center

JOHN AND SANDY_TheMidlifeSecondWife

My husband John with our dog Sandy

When you marry for the second time—especially later in life—anniversaries become particularly significant: we know that time is fleeting, each milestone is precious, and because life can turn on a dime, so is each day. Each year together is a gift. In August John and I marked our third wedding anniversary. For the last three years (four if you count our courtship), I’m reminded, in the following month, just how fragile the gift of our togetherness is, and the gift of our love. John was supposed to be on the 98th floor of the North Tower of the World Trade Center on the morning of September 11, 2001. And because of a fateful decision, he is here, with me, today.

If you’ve followed this blog from the beginning, please forgive my retelling this story. It’s important to me, each September 11, to republish my original post, which first appeared on the tenth anniversary of that horrific, world-changing day.

Because anniversaries are significant. Because time is fleeting. Because each milestone is precious. Because life can turn on a dime, or on an impulsive decision.

Dedicated to the victims and heroes who died on 9/11, and to those whose lives were forever changed.

Click here to read the original post.

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An Artist Before Radiation… and After

13 Tuesday Aug 2013

Posted by themidlifesecondwife in Inspiring Women, Special Events, The Cultured Life, Transitions

≈ 18 Comments

Tags

art exhibitions, artists, brain surgery, Cancer, fine art

Leslie Miller (American, 19xx - )

Leslie Miller (American, 1949 – )
Birds on Map I, 2003
Mixed media
Copyright © 2003 Leslie Miller. All rights reserved. Used with permission.

Ohio artist Leslie Miller was working on this collage—part of a planned series of mixed-media bird paintings—when she was diagnosed with uterine cancer in December of 2003. It is one of the last painted works she was able to complete before losing function on the right side of her body.

In one of cancer’s mystifying quirks, rogue cells bypassed Leslie’s lungs to cross the blood-brain barrier—a highly unusual occurrence—nestling themselves near the center of her brain. Her original cancer, cured after months of chemotherapy and radiation, proved relentless after all: she now had brain cancer. She endured Gamma Knife Radiosurgery (a closed-skull procedure), 10 weeks of radiation, and, finally, traditional open-skull surgery. Her brain—arguably the body’s most sensitive organ—could take no more. Radiation necrosis stilled the hand that had coaxed charcoal, oils, and brushes into astonishing works of art for nearly five decades.

Chemotherapy and radiation saved her life but made it worse.

Ask her what kept her going throughout her health crisis, and her placid demeanor grows slightly emphatic: “I’d just get disgusted with myself for being a crybaby, and tell myself: ‘Stop it! Stop whining and get busy!'”

And so she pushed back against the changes in her life. Eager to return to the bird series, she compensated for her increasing paralysis by resorting to more controllable surfaces on which to work. If she could no longer stand and manage a canvas, she could sit at her dining room table and draw on envelopes.

Leslie Miller (1950 - ) Untitled Pencil

Leslie Miller
Wood Pidgeon, 2006
Pencil
Copyright © 2006 Leslie Miller. All rights reserved. Used with permission.

By 2006, however, the loss of the fine motor skills so essential to drawing was complete. In a masterful reinvention, Leslie exchanged brushes and pencils for a Panasonic Lumix digital camera, finding art in the ordinary elements of daily life: bowls of green apples and cherries (“Because life is a bowl of cherries,” she says with wry humor); a bunch of beets on an enamel table; photographs of every friend who stopped by to visit. No one, myself included, escaped without getting their “portrait” done.

A portrait of the artist with her friends. Photo credit: Marci Janas Rich

A portrait of the artist with her friends. The curator of her exhibition can be seen at the far right of the top row; I’m at the far left. Photo credit: Marci Janas Rich

Now, at 63—10 years after her first diagnosis—Leslie is overseeing preparations for a retrospective solo exhibition of her life’s work at the Beth K. Stocker Art Gallery on the campus of Lorain County Community College in Northeast Ohio. It is a dream come true, she says; she has fantasized about such an exhibition for years.

Born and raised in the college town of Oberlin, Ohio, where she lives today, this solo exhibition, appropriately titled Paper Painting Before Radiation, is the first to be presented in her native Lorain County.

Guest curator Jean Kondo Weigl has selected 81 examples of Leslie’s works on paper in mixed media—representing drawing, painting, printmaking, and collage—for the retrospective, which will be on view from August 26 through September 28, 2013. The works represent only a fraction of the art Leslie created between 1981 and 2006.

Even though Leslie’s art has won awards and earned her grants, residencies, and solo and group exhibitions—including one at the Cleveland Museum of Art’s prestigious May Show in 1993—much of it has never been seen before.

“Leslie has received significant recognition throughout her career,” says Kondo Weigl, “but her focus has always been the practice of her art, rather than its promotion. As a result, she’s received considerably less public attention and critical acclaim than her work deserves.”

Leslie Miller (American, 1950- ) Pink Sky II, 1996 Mixed media

Leslie Miller (American, 1949- )
Pink Sky II, 1996
Mixed media
Copyright © 1996 Leslie Miller. All rights reserved. Used with permission.

I asked her what her art means to her. (Even though she is no longer able to paint, even though taking photographs has become more difficult, I cannot use the past tense.)

“It’s just a passion,” she tells me. “Something I get lost in. A kind of escape from myself.” She repeats a quote attributed to Mark Rothko that she recalls reading. “He said, and this is a paraphrase, ‘It’s nice when people come to see me in my studio, but it’s nice when they leave. It’s even nicer when I leave.'”

Leslie will just have to put up with the throngs of art lovers who will be clamoring to see her work. I suspect she knows how much pleasure this will give her.

 

About the Artist
Leslie Miller earned a Bachelor of Arts degree in religion from Bates College, and a Master of Arts diploma from the School of the Museum of Fine Arts in Boston. She has been awarded professional development grants from the Ohio Arts Council and the Contemporary Artists Center in North Adams, Massachusetts; she was in residence at the latter for three consecutive years in the 1990s and was part of group exhibition there. She has also held a residency at I-Park in East Haddam, Connecticut. She won the Best in Show prize at the Beck Center in Lakewood, Ohio, where her work was part of a group exhibition called Proscenium ’92.

Other group exhibitions include shows at the Erie Art Museum in Erie, Pennsylvania; the Cleveland Center for Contemporary Art; the College of Wooster Art Museum; the Mather Gallery at Case Western Reserve University; the Firelands Association for the Visual Arts in Oberlin, Ohio; the Pearl Conard Gallery at the Ohio State University; and the May Show at the Cleveland Museum of Art, which was juried and curated by Evan Turner, director emeritus of the museum.

Solo exhibitions featuring her work have been held at Jamaica Plain Gallery in Boston, the Greater Miami Jewish Federation in Miami, Florida; and in Israel at the American Cultural Centers in Tel Aviv and Jerusalem.

She began writing poetry in 2006, and Foothills Publishing released a chapbook of her work, Boom Time: 1946-1964, in 2007. She has since completed a nearly book-length manuscript.

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Of Robert Redford, London, and the Transformative Power of Travel

15 Monday Jul 2013

Posted by themidlifesecondwife in The Cultured Life, The Musical Life, Transitions, Travel

≈ 23 Comments

Tags

Generation Fabulous, Guildhall School of Music and Drama, Jean Christophe Novelli, London, Robert Redford, Royal Albert Hall, Royal Festival Hall, Royal Philharmonic Orchestra, Simon Rattle, travel, Vanessa Redgrave

Before I was the Midlife Second Wife, in London's Underground

Before I was the Midlife Second Wife, in London’s Underground

I could have sworn that the blond man sitting near the front of the Gloucester Pub in London’s Knightsbridge district was Robert Redford. You don’t forget a chiseled face like his, nor do you forget that trademark orb of yellow hair. I’d been half in love with Redford since seeing the film that inspired me to major in journalism: All the President’s Men. (For most women it’s The Way We Were. Go figure.) If I hadn’t been with two friends, or so utterly gobsmacked by my first (and only) trip across the pond, I might have lingered to make sure that the flesh-and-blood visage sitting several tables away matched up with the celluloid version. But my friends and I, famished and travel-weary after our trans-Atlantic flight, were eager for nourishment before checking into the Chelsea Hotel* on the other side of Sloane Street.

And, truth be told, shyness and a sense of decorum prevented me from intruding on a celebrity’s luncheon.

I ordered the Cottage Pie because, you know, when in London…

The food was good but the coffee was bad.

Exiting the pub, we saw we were surrounded by designer boutiques. I noted three of them: Armani, Chanel, and a shop called À la Mode. And of course there was Harrods.

Princess Diana had died only a few months before—the city was still reeling from her loss—and we were in the heart of her territory. With her friends, when she was merely Lady Di, the area was their shopping stomping ground. As such, they were nicknamed after the fashionable street: they were the “Sloane Rangers.”

Walking towards our hotel, I saw more people using cellular phones (for that’s what they called them then) than I’d ever seen in one place before. Entering the sleek, contemporary lobby, the delicate fragrance of lemon verbena seemed to permeate the air. This is from the travel journal I kept for part of my trip:

There is a pervasive … citrus-y scent to the air in London—in our room, noticed it in the Rolls, even catch wafts of it on the street. This is a dream city, unreal, unlike anything I’ve ever experienced.

I had been transported into a land of luxury.

How did I ever get here? The farthest I’d been from my home in Ohio was California. I felt as though I were living a dream I never knew I had.

My supremely talented friend was to thank for all of this. An award-winning classical violinist, she had snagged the performance plum of a lifetime: a bill on the program for a joint celebration concert: the 50th Anniversary of the Royal Philharmonic Orchestra and the 50th birthday of Elton John. The gala event would benefit John’s AIDS Foundation. My friend had invited me to attend as her guest, along with her conservatory teacher, and another woman who would become my friend as well. We had only to provide the cost of our airfare and meals.

I started my journal on the plane. Since I was reading Milan Kundera’s The Unbearable Lightness of Being at the time, I began the diary with a quote from the book:

17 December 1997
Sunday 11:45 a.m.

‘There is a certain part of all of us that lives outside of time.’

On the tarmac, reflecting on the route that would take me from Cleveland to Chicago to Toronto, then south of Newfoundland to Ireland, South Wales, and finally London, I wrote:

Imagine: When we do touch down, it will only be 15 minutes later! [I’m] moving backward in time…

Plucked from the rituals of my satisfying but ordinary life, I was time’s fugitive, granted six days to witness and experience sights and sounds (and fragrances, like the lemon verbena that haunts me still) that I never expected to encounter. Nor have I ever encountered anything like them again. Here are some highlights from my itinerary:

Monday Evening, December 15, 1997
A Rolls Royce picks us up at the Chelsea to deliver us to Mayfair, where the impresario who arranged my friend’s performance hosts us to a five-course meal at Les Saveurs:

  • chickpea soup with blood pudding
  • mushrooms in pancake timbale
  • sweet sea bass on aubergine with cherry tomatoes
  • lamb with risotto
  • chocolate mousse timbale with creme

On our way out, the chef, Jean Christophe Novelli, stops us to say he had taken particular care with our orders. I tell him the food was exquisite, and he seems genuinely touched. He asks where I am from, and when I tell him he says that a New York writer is dining at the restaurant that evening.

Tuesday, December 16, 1997
Christmas shopping at Harrods…saw a shrine to Diana and Dodi al Fayed [his father owned Harrods]—quite moving…beautiful portraits of them both.

To the Barbican Centre for L’s rehearsal, followed by a quick pilgrimage to the Guildhall School of Music and Drama next door. Afterwards, high tea at the Hyde Park Hotel, in a private area off the lobby.

HighTeainHydePark

Another quick pilgrimage—to Westminster Abbey—follows high tea, then a rushed trip on the Underground back to the hotel to prepare for a concert in the Purcell Room at the Royal Festival Hall given by another violinist, a friend of my travel companions.

The next evening, a Wednesday, was the reason for our trip: the gala performance at the Royal Albert Hall, with Vanessa Redgrave serving as master of ceremonies. L, resplendent in a red Armani gown, performed Sarasate’s Carmen Fantasy with the Royal Philharmonic Orchestra. (Who conducted? Was it Sir Simon Rattle? I cannot remember and I cannot find my program. This bothers me to no end.)

My two travel companions and I left London for Paris by way of the Channel Tunnel. In four days I would be back home. A whirlwind escapade in every sense of the word.

I’ve not been overseas since that trip, but it transformed me in ways that are still revealing themselves to me. (And I’m not thinking only about my sudden immersion into a heretofore unknown world of luxury.) I realize that because of that journey, I finally abandoned my fear of the new and unfamiliar. (I think I would even say hello to Robert Redford now, were I to spot him in a pub. Although I’d still maintain my decorum by being polite and mercifully brief.) I didn’t flinch when, 13 years later, I moved from the region where I’d spent my entire life to begin a new one with my new husband in Virginia.

Time, they say, waits for no one, but I made time wait for me while I settled into a new life.

“Time,” I wrote then in my journal, “is caught in fierce snatches…. No opportunity for extended reflection, so necessary in trying to capture the details of all we’re experiencing. Many entries—such as this one—recorded days later. Memory will have to shoulder the burden…”

Memory…and the scent of lemon verbena.

*The Chelsea Hotel is now the Millenium Hotel.

 

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How to Help the Cleveland Kidnapping Survivors

10 Wednesday Jul 2013

Posted by themidlifesecondwife in Current Events, Transitions

≈ 2 Comments

Tags

Amanda Berry, Cleveland Courage Fund, Cleveland Kidnapping, Gina DeJesus, Michelle Knight

This post has been updated to include new information.

Imagine losing 10 years of your life. What, exactly, do you lose? If the question is theoretical, the answers come quickly:

Time with your loved ones.

Your youth.

The chance to learn and laugh and love.

The chance to live a normal life.

But what if the question is not theoretical? Imagine, for example, the magnitude of loss for the three young women in Cleveland, kidnapped a decade ago at the ages of 14, 16, and 21, and held captive in a ramshackle house owned by a man who allegedly snatched them from the natural course of their lives, subjecting them to unimaginable horrors.

By now everyone in the world knows his name. On August 1 a judge sentenced Ariel Castro to life in prison without parole, plus 1,000 years, has been indicted on more than 300 charges, after Castro pleaded guilty to 937 counts, including kidnapping and rape, as part of a plea deal to avoid the death penalty; he had also been charged with aggravated murder for beating one of the women after she became pregnant, forcing her to miscarry.

Imagine conceiving—and then losing—a child in that way.

One of the women did give birth; her daughter, now six-years-old, was born in captivity, and in captivity she lived, until the group’s dramatic release in May.

Imagine what these women have lost. Take your time reading the inventory:

Time with their loved ones. And, for one of them, a last goodbye and a chance to grieve for the mother who died in her absence.

Their youth.

Their innocence.

The chance to learn and laugh and love.

The chance to live a normal life.

For Amanda Berry, Gina DeJesus, and Michelle Knight, the last 10 years were spent, not in a waking dream, like a coma patient, but in a waking nightmare of unspeakable hell.

Imagine the courage it must take to survive such torment.

Imagine their future. Can you?

Video statements posted recently on YouTube provided the women with the chance to speak publicly for the first time about their ordeal. The video also provided the world with the chance to replace the faces of their youth, seen on missing children posters and in news reports, with the faces they grew into: lovely young women, poised, on the brink of new lives, and very much in continued need for privacy as they heal and recover.

As for courage, here’s what Michelle Knight had to say in her prepared statement, included in a transcript of all three videos provided by newsnet5.com:

I may have been through hell and back, but I am strong enough to walk through hell with a smile on my face and with my head held high and my feet firmly on the ground.

Read more: http://www.newsnet5.com/dpp/news/local_news/cleveland_metro/transcript-cleveland-kidnapping-victims-say-thank-for-support#ixzz2YeghQaWI

According to published news reports, the women released their public statements so that they might thank their countless supporters, including people who have, to date, donated more than $1 million to a fund established by the Cleveland Foundation.

It is called, appropriately, the Courage Fund.

On the one hand, it seems as though there’s not enough money in the world to give back to these women what they have lost. On the other hand, with 10 years of their lives vanished, they have much work to do to begin building their futures—an education to acquire, skills to learn, and a reorientation into a world that is considerably different than it was 10 years ago.

Not to mention the healing.

I’ve made a modest donation to the Courage Fund. Would you consider doing so as well?

If you would like to contribute to the future of these young women, please make your donation through the Cleveland Courage Fund at clevelandfoundation.org\courage or by mail at Cleveland Courage Fund , c/o the Cleveland Foundation, 1422 Euclid Ave., Suite 1300, Cleveland, Ohio 44115.

Thank you.

Related article:

“Freed Captives in Cleveland Issue Messages of Resolve,” The New York Times

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The Uncertain Certainty of Moving

27 Wednesday Mar 2013

Posted by themidlifesecondwife in House and Garden, LifeStyles, Transitions

≈ 12 Comments

Tags

Changes, houses, Life, moving

RVAtruck2The last time you heard from me (January 23, 2013, if anyone’s keeping track), Downton Abbey’s Sybil Branson (née Lady Sybil Crawley) was still alive. So, for that matter, was Matthew Crawley, heir to the popular British program’s eponymous estate. The last time you heard from me, Pope Benedict XVI was still wearing his famous red shoes. Advance word from Hollywood revealed, however, that due to copyright restrictions, another pair of famous red shoes would not be worn in Oz: The Great and Powerful.

The last time you heard from me I was still living in Richmond, Virginia. That is no longer the case.

Yes, the world will turn. And with every revolution, changes large and small are writ large and small in lives large and small…even in lives fictitious.

Following a nine-week social media sabbatical, I am slowly making my way back to something resembling an online life. Blogging, tweeting, and Facebook-ing all took a back seat to real life, and although I’ve had pangs of guilt about my absence (Would my readers think I’d abandoned them? Would they rush into the arms of another midlife second wife and abandon me?) it was necessary to stay away. I haven’t had a vacation in years, and this hiatus in the real world felt like a vacation, albeit one with considerably more packing involved.

It’s easy to forget just how much work goes into in a cross-country move…how many details, large and small, demand one’s attention. The sheer physicality of moving is exhausting. Just as exhausting are the weeks preceding the move, when your life is in flux and you don’t even know where you’ll land.

In a recent New York Times interview, David Rock, director of the Neuroleadership Institute, talked about the notion of certainty in relation to the brain. Using the aftermath of Hurricane Sandy as an example, he said:

The feeling of uncertainty feels like pain, when you can’t predict when the lights will come back on and you’re holding multiple possible futures in your head. That turns out to be cognitively exhausting.

I cannot begin to compare my own comfortable situation to those displaced by natural, political, or financial disasters. I do think, however, that anyone who has ever moved, for whatever reason, can agree that the months preceding a relocation—with unsettling uncertainties about where one will live, where one will create a life and a home—certainly feels like pain. Certainly it’s every bit as cognitively exhausting as it is physically draining.

House-hunting is fun for about the first week; after that, it’s fraught with existential angst. Where will our new pizza joint be? What neighbors will we have, and what will they be like? What sort of days will fill our daily lives? Where will we dream our nightly dreams?

In The Poetics of Space, the French philosopher Gaston Bachelard writes that “an entire past comes to dwell in a new house,” which is to say that “wherever you go, there you are.”

As I write this, my husband and I have been in our new home for 36 days. We have brought our past lives with us along with our books, dishes, and furniture. We are unpacking and storing, organizing and setting up, making room for all of these things in our new space in Northeast Ohio. The rooms that were bare and strange upon our arrival are starting to take on the look of us, the look of the familiar, as if we’ve lived here longer than 36 days.

And all the while the world is turning, and changes large and small are happening all around us.

Thank you for waiting for me. It’s good to be back.

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Moving to Encourage Good Fortune

23 Wednesday Jan 2013

Posted by themidlifesecondwife in Transitions

≈ 11 Comments

Tags

Good Luck, Life, Life Changes, Love, moving, Poetry, Relationships, William Stafford, Wisdom

MorgueFile Image

MorgueFile Image

You’d be forgiven for thinking I’ve fallen off the map. I haven’t been blogging much lately because my life is about to change in a whopping big way. After two-and-a-half years in the fascinating city of Richmond, Virginia, my husband and I are preparing for our return to Northeast Ohio. Or, as I like to call it, the Land Where I Met the Love of my Life.

You’d be right in thinking: “My goodness! Didn’t she just uproot herself to move from Ohio to Virginia? I remember reading all about it on her blog.”

Well yes. Welcome to life in the 21st-century, where job changes occur with greater frequency than they did in our parents’ generation. My husband’s new job—a really terrific one—is the magnet pulling us back, and it’s a good move for many reasons, although we’ll discuss the frigid climate another time. My son is getting married this fall, John’s oldest son is receiving his doctoral degree in May, and we will be much closer to his younger boy. Our boys, I should say. Our sons. None of this “his” or “mine.” John and I believe that our blended family feels very much like an “ours,” although, sometimes, old speech habits are slow to catch up with the heart.

As for myself and this move? Well, I can write and blog anywhere—from the top of Mount Rainier, if I have to—as long as there’s Internet access and I don’t have to climb to get there.

But for now, I’m here, chipping away at the slow deconstruction of my tiny office in our Richmond townhouse. I’ve just removed the artifacts and “familiars” that adorn my bulletin board, and at present I have on my desk a great treasure. It is a poem, yellowed with age and riddled with pinholes. I will carefully tuck it away in a file for the move to Ohio, where it will resume its rightful place—I want to say like a talisman, but that’s not quite right and you’ll see why in a moment—in my new office. I also want to say I hope it will bring me luck, but again—habits of speech tend not to catch up with the heart. The poem is about anti-luck, or, as the late American poet William Stafford called it,

The Little Ways that Encourage Good Fortune

Wisdom is having things right in your life
and knowing why.
If you do not have things right in your life,
you will simply be overwhelmed.
You may be heroic, but you will not be wise.
If you have things right in your life, and you
do not know why, you are just lucky,
And you will not move in the little ways that
encourage good fortune.
The saddest of all are those who are not right
in their own lives who are acting to make
things right for others.
They act only from the self, and that
self will never be right;
No luck, no help, no wisdom.

—William Stafford
(1914-1993)
©  1960, 1998 The Estate of William Stafford
Used with Permission of the Executor, Kim Stafford

When I emailed the poet’s son, Kim Stafford, asking for permission to reproduce this gem of a poem, I wrote that this is likely to be one of the poems I’d like read at my funeral. His reply?

“Perhaps the poem is more useful in the midst of life, when one can act so as to encourage the little ways …?”

And of course it is, which is why I’m sharing it with you here, thanks to Kim Stafford’s good offices, and why I’ve always kept it close to my heart, where old speech habits—even reflexively wishing someone good luck—sometimes lag behind.

Kim also shared something his father once said: “I must be willingly fallible to deserve a place in the realm where miracles happen.”

So I won’t wish good luck for myself, or for my husband or our boys. I shall will myself—and them—to be fallible in order to reside in the realm where miracles happen.

I wish that for you, too.

Note: Kim Stafford is an associate professor at the Lewis & Clark Graduate School of Education and Counseling in Portland, Oregon, where he directs the Northwest Writing Institute. He tells me that he and his colleagues are at work planning “The William Stafford Centennial, 2014: 100 Years of Poetry and Peace.”

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Don’t Look: She’s Not Who You Think She Is

07 Monday Jan 2013

Posted by themidlifesecondwife in The Well-Dressed Life, The Writing Life, Transitions

≈ 26 Comments

Tags

Fashion, Fashion Mistakes, Style

FashionMistakeMidlife2ndWife

In the early 1970s, when I was in high school, a boy in my class had an older sister who worked for Glamour magazine. She edited its wickedly fascinating “Dos and Don’ts” column, with its pictures of ordinary young women going about their lives in various stages of street-scene activity. Unbeknownst to them, they were about to become anonymously immortalized as representing either sartorial savvy or a cautionary tale. If a face happened to be included in a photograph, black bars strategically placed across the eyes shielded one’s identity, sparing any number of poor girls the humiliation of being caught in broad daylight wearing ankle-strapped platform shoes with palazzo pants that were, sadly, too short. And with a panty-line to boot.

Believe me, having that kind of second-degree proximity to a fashion arbiter did make me think twice before getting dressed for school in the morning.

There’s little evidence in my own photographic archives to suggest that I had a terrible sense of style, or was prone to making serial fashion mistakes. In fact, I like to think that I was something of a snappy dresser, despite coming of age in the 1970s. Yes, I once purchased a belted polyester pantsuit, and I wore it with ankle-strap platform shoes. No, no pictures of the atrocity exist.

I did, however, come across this photo. What’s so wrong with it? you might ask. Well, quite a lot, actually.

The real fashion mistake here, aside from the tight curls that looked as though Harpo Marx dipped his head into a bowl of India ink, is the fact that this woman is not dressing for who she was.

Can’t blame her, really; she didn’t even know who she was.

The bridge in the backdrop of this studio portrait is fake. Even the pearls. And yes, the dress was polyester.

It was 1983, and she had dressed to play a role—the role of a certain kind of wife, a certain kind of woman. She was just starting to become who she was going to be…who she was meant to be. But she wasn’t there yet.

The word “corporate” comes to mind. This is a corporate look, whereas the woman fastened into it has a creative temperament. There was a poet and writer inside, struggling to get out, but it would be a year or so before the chrysalis would crack.

It was a film that would do it. She had recently seen Educating Rita, in which a character (played by Julie Walters) undergoes a metamorphosis through the study of literature, helped along with the tutorial guidance of Michael Caine’s character. Rita’s costume changes chart her evolution from tarty hairdresser—a streak of pink in her blond hair to match the color of her smock—to bohemian college student, dressed in studied earth tones, her hair allowed its natural brown. At the end of the film, Rita’s transformation is complete. Frank, her professor, presents her with a graduation gift: a dress. He bought it, he says, with “an educated woman” in mind.

“What kind of education were you giving her?” Rita jokingly asks.

I suppose the point of all this is that nothing represents our true selves better than our clothes. They are fashion markers charting the evolution of our growth and (at the risk of getting all New-Age-y), our self-actualization. In truth, the woman you see pictured here wasn’t representing herself falsely after all. Like Rita, her dress just hadn’t caught up yet with her education.

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On Waking to a New Year Without Revelry

01 Tuesday Jan 2013

Posted by themidlifesecondwife in Special Events, Transitions

≈ 9 Comments

Tags

Life, New Year, Poetry, Resolutions

Calendarcropped2

MorgueFile image

Last night at midnight a New Year dawned,
But what did I do? I stretched and yawned.
For I was asleep, warmly snug in my bed
While visions of calendars danced in my head.

It was not a good year, two thousand and twelve,
And I’m glad to leave it behind on the shelf
With all of its storms and horror and grief
That threatened to shake my firmest beliefs.

I awoke to the news—not done in a jiff—
That our Senate averted the dread fiscal cliff.
All that remains is to rally the House.
Will they do the right thing? Or grumble and grouse?

I’m so weary of fussing and fighting, my friends.
Can’t we all get along? Can’t we all make amends?
Let this be the year we do the right thing
For our future, our children, and all living things.

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